Krishna

According to the Srimad Bhagavatam, we have the Mahabharata, which consists of many stories, not just about Krishna, but about many godheads, demons, kings, and people in these stories because of sage Vasudeva’s compassion for us, who cannot understand the Vedas. The Srimad Bhagavatam says,

“Out of compassion, the great sage thought it wise that this would enable men to achieve the ultimate goal of life. Thus he compiled the great historical narration called the Mahabharata for women, laborers, and friends of the twice-born.”

And we study and learn the stories from the Mahabharata, including Bhagavad Gita; we are learning the lessons of the Vedas. When Vasudeva wrote them, he wrote them to pass on helpful knowledge from the Vedas to people in a way that they could understand.

“Fully surrender unto the lotus feet of Lord Sri Krsna”

According to the Mahabharata, Krishna, the eighth incarnation of Vishnu and the eighth child of Devaki, was born on the eighth day of Shravana (July 30, 2022) to parents Devaki and Vasudeva. King Kansa of Mathura, Devaki’s brother was told by a voice from the heavens that Devaki’s eighth child would kill him. This fear drove Kansa toward the child and put the child in constant danger. Because of this situation, Vasudeva decided to give the child to Nanda, Vasudeva’s cousin in Gokul. According to the Srimad Bhagavatam, Krishna’s parents were Nanda Maharaja and Yasoda Mata.

While many godhead figures are given gifts from the gods to become like the gods through Tapasya, self-control, rituals, devotions, and prayer, Krishna was not this type of god. Krishna was Vishnu incarnate since his birth. And even though Krishna was unique, Nanda and Yasoda always seemed to have treated him like any other child. He was mischievous and fun and did not seem to have a care in the world. There are many amazing stories from his childhood.

One story is when Kansa figured out where baby Krishna was and sent Putana to kill Krishna. She disguised herself as a gorgeous heavenly woman and went to meet Krishna. She then tried to feed Krishna, and Krishna sucked all the life force from her body.

As Krishna was growing up, he acquired a taste for milk and butter, and there are many stories of him stealing and eating butter, playing tricks, and getting in trouble with his mother, who punished him like any other child. There’s one story when Krishna and his friends find the Gopis swimming in the water naked. Krishna takes their clothes and refuses to give them back until he’s had enough fun teasing them.

But at the same time, as he’s growing up, Kansa was always trying to kill him by sending demons, and there are fantastic stories of great battles with demons. Stories like when Krishna grows his body as large as a mountain to combat the fierce demon Trinavarta, or when he fights Kesi, who takes the shape of a horse, and Krishna defeats him by sticking his hands in his mouth and choking him to death. Other stories include when he has to fight the woman stealing jewel head Sankhasura or battles Aghasura, the giant snake demon, by entering his mouth and expanding his own body until the serpent is choked to death. The battles continue on and on, Kaliya the many-headed poison snake, Bakasura, the giant bird he had to battle, and many more.

One of my favorite stories so far is when Krishna is outside with his friends, and one of his friends tells his mother Yasoda that he’s eating dirt. She asks him, “Are you eating dirt?” He says, “No.” So she makes him open his mouth and show her. Reluctantly he opens his mouth, and inside his mouth is the entire universe.

“She saw the entire universe: the mountains, the oceans, the planets, air, fire, moon, and the stars in his small mouth.”

As we read further into the life of Krishna, we find a ton of amusing facts. Fun fact number 16,108. 16,108 is how many queens Krishna has. All with their own palaces. What’s even more impressive than his ability to keep up with 16,108 ladies is that one of his superpowers is that he can be one or all simultaneously. The Srimad Bhagavatam describes this as the ability to create as many “plenary expansions as there were queens and palaces and enter in every one of them simultaneously and separately.”

And with that story we are one step closer to understanding transcendental Yoga philosophy where time may not be linear, duality becomes “we are one”, and there really is nothing to worry about because worrying wouldn’t change a thing. 

I’m pretty sure this is Krishna’s favorite song:

Hare Krishna
Krishna Krishna
Hare Krishna
Hare Hare

Hare Rama
Rama Rama
Hare Rama
Hare Hare

A Standard Yoga Sequence

5 Classic Sun Salutations

  • Mountain (Tadasana)
  • Upward Salute
  • Forward Fold
  • Halfway Lift
  • High Lunge Rt. Leg (5)
  • Low Lunge Rt. Leg (5)
  • Plank
  • Chaturanga
  • Upward Dog
  • Downward Dog (3)
  • 3-Legged Dog Rt. Leg
  • Pigeon Rt. Leg (5)
  • Plank
  • Chaturanga Flow to Downward Dog
  • Downward Dog (5)
  • High Lunge Lt. Leg (5)
  • Low Lunge Lt. Leg (5)
  • Plank
  • Chaturanga Flow to Downward Dog (5)
  • 3-Legged Dog Lt. Leg
  • Pigeon Lt. Leg (5)
  • Plank
  • Chaturanga Flow to Downward Dog
  • Downward Dog (5)
  • Step or hop to front of mat
  • Half-Forward Bend
  • Forward Bend
  • Upward Salute
  • Mountain

Standing Series

  • Warrior 1 Rt. Leg (5)
  • Warrior 3 Rt. Leg (5)
  • Warrior 2 Rt. Leg (5)
  • Reverse Warrior Rt. Leg (5)
  • Triangle Rt. (5)
  • Half Moon Rt. (5)
  • Revolved Triangle Rt. (5)
  • Plank
  • Chaturanga Flow to Downward Dog
  • Downward Dog (5)
  • Step or hop to front of mat
  • Half-Forward Bend
  • Forward Bend
  • Upward Salute
  • Mountain (Tadasana)
  • Repeat Standing Series on Left Side
  • Warrior 1 Lt. Leg (5)
  • Warrior 3 Lt. Leg (5)
  • Warrior 2 Lt. Leg (5)
  • Reverse Warrior Lt. Leg (5)
  • Triangle Lt. (5)
  • Half Moon Lt. (5)
  • Revolved Triangle Lt. (5)
  • Plank
  • Chaturanga Flow to Downward Dog
  • Downward Dog (5)
  • Step or hop to front of mat
  • Half-Forward Bend
  • Forward Bend
  • Upward Salute
  • Mountain (Tadasana)

Balance Series

  • Eagle Pose (5) Both Sides
  • Dancer Pose (5) Both Sides
  • Mountain (Tadasana)
  • Upward Salute
  • Forward Fold
  • Half-forward Bend
  • Plank (5)
  • Lower to Floor

Floor Series

  • Locust (5)
  • Bow (5)
  • Cobra (5)
  • Child Pose (5)
  • Garland (5)
  • Seated Forward Bend (5)
  • Half Lord of Fishes (5) Both Sides
  • Seated Bound Angle (5)
  • Boat Pose (5) Repeat 3-5 times
  • Bridge (5)
  • Knees to Chest (5)
  • Shoulder Stand (5)
  • Plow (5)
  • Happy Baby (5 Rocks)
  • Savasana (Stay as long as you like!)
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Mantras

A mantra is a short phrase or word repeated internally or out loud. Traditionally Sanskrit mantras were used for meditative purposes, but positive psychologists have done a lot of research on the use of mantras. Today mantras are taught in business school, to athletes, yogis, and in therapy classes.

The effect of the mantra on athletics can be tremendous. Repeating a mantra occupies the brain enough, so it doesn’t get caught up in obsessing, planning, and wandering. This, the researchers write, accounts for a significant “calming effect.”​(Futterman, 2021; Stulberg, 2019)​

  • I am strong
  • I am enough
  • I believe in myself
  • I can and I will
  • I am a warrior
  • Today will be a good day
  • Let it go
  • I will have a good day
  • I radiate positive energy, I attract positive energy.
  • I am brave, I am powerful, I am confident
  • I am not afraid
  • I can do this, I will do this
  • I am here for a purpose
  • I am loved
  • I deserve love
  • My heart is open to love
  • I wish to receive love and to give love
  • I surrender
  • I choose me
  • I will let go of things that no longer bring me joy
  • I take one step, then another, then another
  • I trust the universe
  • I trust the journey
  • Breathe
  • Inhale, 1-2-3-4-5, Exhale, 1-2-3-4-5
  • Om shanti shanti shanti
  • Om gam ganapataye namaha
  • Om
  1. Burke Et Al, . (2017, June 17). Prevalence and patterns of use of mantra, mindfulness and spiritual meditation among adults in the United States. National Library of Medicine. https://pubmed.ncbi.nlm.nih.gov/28619092/
  2. Futterman, M. (2021, September 26). Can a Mantra Make You Run Faster? NY Times. https://www.nytimes.com/2021/09/26/sports/courtney-frerichs-running-mantras.html#:~:text=You%20Run%20Faster%3F-,This%20Olympic%20Medalist%20Has%20No%20Doubt.,her%20win%20a%20silver%20medal.
  3. Ohana Et Al, . (2015, July). Repetitive speech elicits widespread deactivation in the human cortex: the “Mantra” effect? Journal of Brain Behavior. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC4511287/
  4. Oman Et Al, . (2020, November 16). Mantram Repetition as a Portable Mindfulness Practice: Applications During the COVID-19 Pandemic. National Library of Medicine. https://pubmed.ncbi.nlm.nih.gov/33224309/
  5. Stulberg, B. (2019, July 11). Having a Mantra Will Make You Better. Outside Magazine. https://www.outsideonline.com/health/training-performance/mantras-performance-fitness-success/
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Yoga & Trauma

What is Trauma?

Trauma is a subjective experience of an event. It can be life-threatening or life-altering. Trauma often overwhelms the individual. The individual may experience loss of control due to the traumatic event. The traumatic experience may continue after the event is over. At least ⅓ of people experience trauma at some point during their lives.

  • Common Symptoms
    • Negative thoughts & mood
    • Avoidance
    • Intrusion, flashbacks, & reliving
    • Hyperarousal & hyperactivity
  • Physiological Impact
    • Physical illness & injury
    • Decreased cognitive abilities
    • Tendency to dysregulate
    • Impaired communication
    • Impaired interoception
  • Psychological Impact
    • Feeling isolated
    • Feeling unsafe
    • Resisting the trauma state

Yoga & Trauma

“The essence of trauma is dissociation, disconnecting from self and others and moving away from reality. Yoga is about connection. It is self-realization, finding the truth about what we are, who we are, and why we exist. In this respect, it is the polar opposite of trauma.”

Patanjali’s definition of Yoga – “chitta vritti nirodha”- translates to “cessation of mind turbulence” helps by calming and regulating the mind, which can help people with their clinical treatment. ​(Satchidananda, 2012)​ Since trauma has the potential to disrupt the mind-body connection, and Yoga focuses on bringing that connection back, Yoga has a direct relationship with Trauma.

3 Stages of Trauma Recovery

  1. Safety & Stabilization: Yoga teaches self-regulation skills so that we can begin overcoming dysregulation.
  2. Coming to Terms with Traumatic Memories through lessons of acceptance taught through Yoga philosophy.
  3. Reconnection, Integration, and Moving On through the safety of the Yoga community as you reconnect to the outside world.

Making Poses Trauma Sensitive

Break down poses into small steps. Explore each pose, focusing on sensation over the alignment. Gently push boundaries, but never through them. Experience the pose without forcing yourself into a deeper expression of the pose. When the balance between effort and relaxation is found, stop “doing” the pose, and let it just happen. Accept yourself where you are.

Pranayama

The breath bridges the mind & body. Focusing on the breath helps us return to the present moment and awareness. Pranayama may be different for someone with trauma. Be sensitive to a student’s resistance. There isn’t a certain technique that is better than others. Keep it simple. I’m breathing in. I’m breathing out. Ujjayi can be distressing for some; it may remind them of an assailant or someone dying.

What is our role?

Our role as Yoga teachers is to create a safe & comfortable environment for ALL students. We help guide & facilitate students to find their truth, inner peace & empowerment, and offer options – that way, if someone begins to feel unsafe, they can move to a place where they feel secure.

Safe Environment

We offer a safe environment by offering knowledge, predictability, and a safe space. Exits are visible and accessible. If anyone has their back to the door, it should be the instructor. We should try to arrange people so no one has another person behind them. Windows with curtains for privacy in a space above ground are preferred. The studio should be odor-free. Some props, like straps, may be triggers for some—no hands-on adjustments without permission. Neutral decorations, for example, middle eastern decorations, can be disturbing for soldiers with PTSD. And finally, if we are intentionally providing a class that focuses on students who experienced trauma, we can name and describe our classes with descriptions like “helps with mood regulation” or “Helps relieve stress and anxiety.”

Language

verb + body part + direction = clear instruction

(verb + body part + direction) x choice = clear TS instruction

  • If you like…
  • Perhaps…
  • Maybe…
  • When you are ready…
  • What would happen if…
  • If it feels alright…
  • You may wish…
  • Another option would be…
  • You could try this or…
  • I would invite you to…
  • In your own time and your own way…
  • Explore…
  • You can choose…
  • As best we can…
  • Personal boundaries…

What Do We Need to Know?

You will, most likely, at some point, have someone suffering from trauma in your Yoga class. Be aware! People dealing with trauma can be hypersensitive. Kindness, compassion, patience, and a gentle tone are good qualities to exhibit. We don’t need to be perfect. We will make mistakes. Use them as opportunities to learn & grow! Be your authentic self!

​(Abram, 2018; Joanne, 2021)​

  1. Abram, B. (2018). Teaching Trauma Sensitive. North Atlantic Books.
  2. Joanne, S. (2021). Trauma-Informed Yoga. PESI Publishing & Media.
  3. Satchidananda, S. S. (2012). The Yoga Sutras of Patanjali. Integral Yoga Publications.
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Virabhadra

When Sati (an incarnation of Shakti) got married to Shiva, her father, King Daksha, did not approve of their union. So, when Daksha organized a great celebration, he invited everyone except Shiva and Sati. When Sati found out, she begged Shiva to go to the festivities with her, but he refused, saying it was improper to show up uninvited. Despite her husband’s words, Sati decided to visit her father’s celebration.

When she arrived, Daksha humiliated and insulted Sati and her husband in front of all the guests, which led to Sati killing herself. Some traditions say she threw herself into the sacrificial fire. Others say she utilized Pranayama and other yogic exercises to cultivate her inner fire (Agni) until she burst into flames.

Out of grief and devastation over his wife’s death, Shiva tore out one of his dreadlocks and threw it on the ground. From this hair, he created Virabhadra. Shiva instructed the fierce warrior to seek revenge for Sati’s death.

The warrior postures describe what happened as Virabhadra appeared at the festivities:

Virabhadrasana I: Virabhadra appeared, breaking through the ground and clasping a sword in each hand.

Virabhadrasana II: With his enemy Daksha in plain sight, Virabhadra prepared for battle.

Virabhadrasana III: Virabhadra swiftly approached Daksha, killing every guest in his way, and beheaded the king.

When Shiva arrived shortly after, his rage turned into sadness and regret. He went looking for King Daksha and, unable to find his head, replaced it with a goat’s. Suddenly alive, King Daksha recognized Shiva’s compassion and bowed to him.

According to many interpretations of this legend, the warrior Virabhadra represents the destruction of evil and ignorance. By remembering this intention in your Yoga practice, you embody the strength and determination of the warrior.

Asana Practicals List

  • Uttanasana/Ardha Uttansasna
  • Chaturanga Dandasana
  • Urdhva Mukha Svanasana
  • Adho Mukha Svanasana
  • Utkatasana
  • Virabhadrasana I
  • Ashtanga Namaskar
  • Bhujangasana
  • Plank Pose
  • Anjaneyasana
  • Utthita Trikonasana
  • Virabhadrasana II
  • Viparita Virabhadrasana
  • Utthita Parsvakonasana
  • Parsvottanasana
  • Ardha Chandrasana
  • Prasarita Padottanasana
  • Garudasana
  • Vasisthasana
  • Natarajasana
  • Vrksasana
  • Virabhadrasana III
  • Bakasana
  • Eka Pada Raja Kapotasana
  • Agnistambhasana
  • Baddha Konasana
  • Dandasana
  • Paschimottanasana
  • Janu Sirsasana
  • Setu Bandha Sarvangasana
  • Urdhva Dhanurasana
  • Ananda Balasana
  • Salamba Sarvangasana
  • Salamba Sirsasana
  • Supta Matsyendrasana
  • Savasana
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Ayurveda

Ayurvedic medicine is based on the idea that the world is made up of five elements:

  • Aalash (space)
  • Jala (water)
  • Prithvi (earth)
  • Teja (fire)
  • Vayu (air)

Each element combines to form one of three doshas: Vata, Kapha, and Pitta. These doshas are believed responsible for a person’s physiological, mental, and emotional health.

Vata

Vata is responsible for every movement of the body; our eyes blinking, our circulation, our elimination, running, jumping, and playing. Since Vata people are made of air and space, they don’t have a lot holding them together. Therefore, they easily return back into a balanced state.

Vata consists of the air & space elements. Increasing these elements in your diet and lifestyle will increase them in you too. Vatas tend to be smaller build, can struggle to keep weight on, and are high-energy, highly creative people.

Vata individuals can have sensitive digestion and benefit from 3 full meals. Foods that are pacifying to Vatas are hearty grains, hot cereals, sweet potatoes, squash, avocados, soups, and stews.

Dry, cold, windy weather can aggravate Vata. Vata-like routine, self-care, and routine are essential.

Vata season is Fall-mid-winter; the time of day is 2-6 am and 2-6 pm.

Pitta

Pitta is responsible for digestion and transformation; heat transforms food, thoughts, and physical exertion into energy. Pitta individuals are sturdier from fire and air than Vatas, so it takes a moderate amount to throw Pittas off balance and a moderate amount to return to a balanced state.

Pittas are sturdier than vatas; it takes more to throw off balance but more for them to return to a balanced state.

Physically Pittas are typically medium/athletic build. They run hot, have sensitive skin, tend toward acidity, and have sharp, penetrating voices.

They are also known as the dosha that gets it done. They are focused, driven, and disciplined. They are passionate, intense, and intelligent.

Good foods for those that want to pacify Pitta are sweet, cooling foods like cucumbers, milk, fruit, salads, legumes, and rice, and avoid overly oiled, fried foods. When out of balance, they tend toward an extremely competitive nature. They can be dominant, impatient, and irritable.

Their mantra should be cooling, calming, and moderate.

Pitta season is the summer, mid-May through Sept. The time of day is 10 am to 12 pm, and 10 pm to 12 am.

Kapha

Kapha is responsible for the lubrication and the structure of the body. Because of their sturdiness, Kapha individuals tend to be the healthiest physically and mentally of the three doshas. Since they are made of earth and water, Kapha people are sturdy and grounded but can be challenging to move. When happy and comfortable in one place, they can resist change. Kapha individuals tend to have large soft eyes and thick hair; they’re calm, loving, and devoted and tend toward congestion, weight gain, and sluggishness.

Physically Kapha people are a more muscular, studier build. They are known to have dark thick hair and dark deep watery eyes. Kaphas are known to be grounding, happy, and comfortable. They are calm, loving, and devoted.

Kaphas need warm, stimulating foods and should typically avoid overly sweet, heavy foods. Beans, potatoes, broccoli, cauliflower, cabbage, and dried fruit are good for pacifying Kapha.

Kaphas are aggravated by wet, heavy elements and can tend toward procrastination, excessive sleep, congestion, and difficulty letting go.

Kapha season is early Winter (Dec) through Spring. The time of day is 6 -10 am and 6-10 pm.

Taught to us by Amber Allen

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Avatars of Vishnu

“Vishnu came to earth as something more
powerful than himself, Krishna.”

– Dustin Horan

Matsya: The Fish Avatar. King Vaivasvata Manu finds a little fish in the palm of his hands when performing the tarpana (water-offering). The fish asks Manu if his riches and power were enough to give the fish a nice home. Manu keeps the fish to give it a home, but the fish keeps expanding, which breaks Manu’s pride in his wealth. Eventually, he releases it into the ocean, realizing it is Lord Vishnu himself. Vishnu informs Manu of the coming destruction of the world using fires and floods and directs Manu to collect “all creatures of the world” and keep them safe on a boat built by the gods. When the deluge (Pralaya) comes, Vishnu appears as a great fish with a horn, to which Manu ties the boat, which leads them to safety.

Kurma: The Giant Tortoise Avatar. When the devas and asuras were churning the Ocean of Milk to get Amrita, the nectar of immortality, the mount Mandara they were using as the churning shaft started to sink, and Vishnu took the form of a tortoise to bear the weight of the mountain.

Varaha: The Giant Boar Avatar. Jaya and his brother Vijaya are cursed by the sage Sanaka when they stop him from seeing Vishnu and will be reborn three times as demons (asura) to be killed by Vishnu. In their first demonic birth, they become Hiranyaksha and Hiranyakashipu. Varaha appeared to defeat Hiranyaksha, who had taken the Earth, or Bhumi and carried it to the bottom of what is described as the cosmic ocean (much like in ether theory) in the story. The battle between Varaha and Hiranyaksha is believed to have lasted for a thousand years, which the former finally won. Varaha carried the Earth out of the ocean between his tusks and restored it to its place in the universe.

Narasimha: The half-man/half-lion Avatar. Hiranyakashipu persecuted everyone for their religious beliefs, including his son, who was a Vishnu follower. The boy was protected by the god and could not be killed, thus being saved by the several attempts of getting harmed. Vishnu descended as an anthropomorphic incarnation, with the body of a man and the head and claws of a lion. He disemboweled Hiranyakashipu and ended the persecution of human beings, including his devotee Prahlada.

Vamana: The Dwarf Avatar. The grandson of Prahlada, Bali, with devotion and penance, was able to defeat Indra, the god of firmament. This humbled the other deities and extended his authority over the three worlds. The gods appealed to Vishnu for protection, and he descended as a boy Vamana. During a yajna of the king, Vamana approached him, and Bali promised him whatever he asked. Vamana asked for three paces of land. Bali agreed, and the dwarf then changed his size to that of a giant Trivikrama form. With his first stride, he covered the earthly realm. With the second, he covered the heavenly realm, symbolically covering all living beings’ abode. He then took the third stride for the netherworld. Bali realized that Vamana was Vishnu incarnate. In deference, the king offered his head as the third place for Vamana to place his foot. The avatar did so and thus granted Bali immortality and making him ruler of Pathala, the netherworld. Vishnu also granted Bali a boon whereby he could return to earth every year. The harvest festivals of Balipratipada and Onam (mostly celebrated by people of all faiths within Kerala) are celebrated to mark his yearly homecoming. This legend appears in hymn 1.154 of the Rigveda and other Vedic and Puranic texts.

Parashurama: The Warrior Avatar who handled an ax. He is the son of Jamadagni and Renuka and was granted as a boon an ax after a penance to Shiva. He is the first Brahmin-Kshatriya, or warrior-sage, in Hinduism who had to follow the Dharma of both a Brahmin and a Kshatriya. Once, when king Kartavirya Arjuna and his hunting party halted at the ashrama of Jamadagni, the father of Parashurama, the sage was able to feed them all with the aid of the divine cow Kamadhenu. The king demanded the cow, but Jamadagni refused. Enraged, the king took it by force, destroyed the ashram, and left it with the cow. Parashurama then killed the king at his palace and destroyed his army. In revenge, the sons of Kartavirya killed Jamadagni. Parashurama vowed to kill every Kshatriya on earth twenty-one times over and filled five lakes with their blood. Ultimately, his grandfather, Rishi Rucheeka, appeared before him and made him halt. He is a Chiranjeevi (immortal) and is believed to be alive today in penance at Mahendragiri. He is also credited with creating the coastal belt of Karnataka and Kerala by throwing his mighty ax as per Hindu mythology. The place the ax landed in the sea got its water displaced, and the land which emerged thus came to be known as the coast of Karnataka and the whole of Kerala.

Rama: The Avatar of Morality and Rules, The Prince and King of Ayodhya. He is a commonly worshipped avatar in Hinduism and is considered the ideal model of a common prince without superpowers, despite being an incarnation. His story is recounted in one of the most widely read scriptures of Hinduism, the Ramayana. While in exile from his own kingdom with his brother Lakshman and wife Sita, she was abducted by the demon king of Lanka, Ravana. Rama traveled to Lanka, killed the demon king, and saved Sita. Rama and Sita returned home and were crowned. The day of the return of Prince Rama to the kingdom of Ayodhya is celebrated in the festival of Diwali all over India.

Krishna or Balarama:

Krishna was the eighth son of Devaki and Vasudeva and the foster-son of Yashoda and Nanda. A frequently worshipped deity in Hinduism, he is the hero of various legends, particularly the Kansa-vadha and Mahabharata. He embodies qualities such as love, duty, compassion, and playfulness. Krishna’s birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. Krishna is usually depicted with a flute in his hand. Krishna is also a central character in Mahabharata, Bhagavata Purana, and the Bhagavad Gita.

Balarama, the elder brother of Krishna, is regarded generally as an avatar of Shesha, an extension of Ananta, a form of Lord Vishnu. Balarama is included as the eighth avatar of Vishnu in the Sri Vaishnava lists, where Buddha is omitted, and Krishna appears as the ninth avatar in this list. He is included in the lists where Krishna is removed and becomes the source of all.

Buddha; sometimes Krishna, Vithoba, or Jagannath.
Gautama Buddha, the founder of Buddhism, is commonly included as an avatar of Vishnu in Hinduism. Buddha is sometimes depicted in Hindu scriptures as a preacher who deludes and leads demons and heretics away from the Vedic scriptures, but another view praises him as a compassionate teacher who preached the path of ahimsa (non-violence).

Krishna; commonly at 8
In Maharashtra and Goa, Vithoba’s image replaces Buddha as the ninth avatar of Vishnu in some temple sculptures and Hindu astrological almanacs.
In certain Odia literary creations from Odisha, Jagannath has been treated as the Ninth avatar by substituting Buddha.

Kalki is the final incarnation of Vishnu, who appears at the end of each Kali Yuga. He will be atop a white horse, and his sword will be drawn, blazing like a comet. He appears when only chaos, evil, and persecution prevails, Dharma has vanished, and he ends the Kali Yuga to restart Satya Yuga and another cycle of existence.

Mahabharata

The Mahabharata is an ancient poem and is still the longest epic poem ever written. The story is about the descendants of an ancient emperor called Kurukshetra which means the field of Kuru. The story is still well known and beloved because the story and the characters are always relevant and relatable.

“What is found here may be found elsewhere. What is not found here will not be found elsewhere.” Mahabharata

The story tells of a dynastic struggle for the throne of Hastinapur, a kingdom ruled by the Kuru clan. The two collateral branches of the family that participate in the struggle are the Kaurava, the elder branch, and the Pandava, the younger branch.

Characters from the Mahabharata and their lineage

The Mahabharata is more than just a story of kings and princes and sages and demons and gods. The main aim of the work is to illicit the four Purusarthas, or goals of life.

  • Four Purusarthas
    • Kama (Pleasure)
    • Artha (Wealth)
    • Dharma (Virtue or Duty)
    • Moksha (Liberation)

Pandu and Dhirtrashtra were two brothers who ruled Hastinapura. Pandumarried Kunti and Madri, but he could not sire a son. Kunti had a boon which allowed her to invoke any gods she worshipped to give her a son. Before she married Pandu, she accidentally invoked this boon and gave birth to Karna, who she abandoned for fear of being an unwed mother. She invoked this boon again and bore three sons: Yudhisthira, Bhima, Arjuna. She then shared her boon with Madri, who then gave birth to the twins, Nakula and Sahadeva.

Dhirtrashtra, who was blind, married Gandhari who gave him 100sons, including Duryodhana. After Pandu died, Dhirtrashtra decided to give the empire to Yudhisthira much to the chagrin of Duryodhana, who plotted to kill them in a palace made of wax, but the brothers and Kunti managed to escape and lived incognito in a forest where Bhima met the giantess Hidimbi. He slayed her brother, married her and sired a son named Ghatotkacha.

The brothers and their mother continued their journey the kingdom of Panchala. There, Arjun won a competition to wed the princess of Panchala, Draupadi. Kunti unwittingly asks the brothers to share Draupadi. When they returned to Hastinapura, Dhirtrashtra acknowledged the enmity between the cousins and asked the Pandavas to re-locate to the desert, Khandaprastha, which they accepted and subsequently transformed to a magnificent land with the help of Krishna, and renamed Indraprashta.

Duryodhana was seething with jealousy and humiliation when he visited the palace of the Pandavas. He then invited the five brothers to play dice at Hastinapura, where, through the trickery of his uncle Shakuni, Yudhisthira lost the game, Indraprashta, his brothers, his wealth as well as Draupadi herself. Krishna came to her aid when one of the Duryodhan brothers, Dushashana, publicly disrobed her as no one came to her defense. The Pandavas were then sentenced to 13 years in exile, which would be extended another 12 years if they were discovered during the 13th year.

The 13 years passed by, Arjun also got married to Subhadra, Krishnas younger sister and sired a son, Abhimanyu. Each of the Pandavas had taken on other wives apart from Draupadi, although Draupadi remained as the main wife of all of them. When the Pandavas returned to re-claim Indraprashta, the Kauravas opposed and challenged them to a war in Kurukshetra.

Main Characters

KUNTI

  • Princess of Mathua
  • Received a boon to invoke any god to give her a child.
  • She bore Karna before her marriage, and abandoned the baby
  • The first wife of Pandu
  • Mother of the three oldest Pandava brothers: Yudhisthira, Bhima and Arjuna.
  • Kunti took on Madri’s children, the twins Nakula and Sahadeva, and raised them along with her own sons.

THE PANDAVAS

  • The Sons of Pandu
    • The five Pandavas means “the five sons of Pandu.”
    • They are the sons of Pandu from his wives, Kunti and Madri.
    • Although Pandu is their “official” father, the Pandavas are the sons of gods.
      • Yudhishitira
        • The oldest son
        • Born from Yama, the god of wisdom
        • Symbol of the Dharma (virtue).
        • He represents wisdom.
      • Bhima
        • The second born
        • Son of Vayu, the god of wind.
        • He represents strength.
      • Arjuna
        • The third son
        • The son of Indra, the god of rain.
        • He represents faith.
      • The twins, Nakula and Sahadeva
        • Born from Madri and the Ashvinis
        • The twin gods of healing.
        • Nakula represents love
        • Sahadeva represents intelligence.

DRAUPADI

  • Princess of Panchala.
  • Born out of a sacrificial fire.
  • Common wife of the Pandavas.
  • Bore one son out of each of her husbands.

KARNA

  • Born from Kunti and the sun god Surya.
  • The abandoned child of Kunti.
  • Raised by a charioteer and his wife as their own son.
  • Although he was raised with love, Karna would forever struggle with his status as the lowly son of a charioteer in a society which still upheld a rigid class distinction.
  • Became the King of  Anga due to his friendship with Duryodhana.
  • The best friend of Duryodhana, who is the cousin and sworn enemy of the Pandavas.
  • Fought against his own brothers (the Pandavas) in the great war in Kurukhsetra

…..To Be Continued

Shankuntala

There once lived a beautiful maiden named Shakuntala, the adopted daughter of Sage Kanva, who lived in his forest hermitage. One day, Dushyanta, the king of Hastinapur, was hunting and shot an arrow at Shakuntala’s deer. She found her deer whimpering in pain and tried to comfort it. Her affection towards the animal touched Dushyanta’s heart, and he sought her forgiveness. She forgave him and asked him to stay with her to tend to the wounded deer.

Over time, they fell in love and married each other. Dushyanta gave her a gold wedding ring with his name on it and left for his kingdom, promising to return and take Shakuntala back with him.

A few days later, Sage Durwasa came to Shakuntala’s door. He repeatedly asked for water but was paid no attention as she only thought of Dushyanta. The sage felt insulted and cursed her – the person she was thinking about would forget her.

As soon as she heard this curse, she begged for forgiveness. Hearing her plea, he said he couldn’t take back the curse but could change it. If Dushyanta were shown something of theirs, he would remember them.

With the curse taking hold, Dushyanta forgot Shakuntala. She decided to meet him in the capital, but her gold wedding ring fell into the water on her way to cross the river. A fish swallowed the gold ring. When Shakuntala arrived at the palace, the king did not recognize her.

Ashamed, she started living alone in another part of the forest, where she gave birth to a son called Bharata. Bharata was a brave boy who grew up among the forest animals.

Years went by, and Dushyanta never remembered Shakuntala until one day when a fisherman brought him a gold ring. He told the king that he had found the ring in the stomach of a fish and brought it straight to him. With a single glance of the gold ring and the curse was broken. The king remembered Shakuntala and at once ran to her home but could not find her. In despair, he returned to his palace.

Few more years passed. The king went hunting in the forest and was surprised to see a boy playing with a lion cub. The boy opened the cub’s mouth and said, “Oye king of the jungle! Open your mouth wide, so I can count your teeth.”

This amused Dushyanta, and he asked the boy who was his parents. The little boy replied that he was the son of King Dushyanta and Shakuntala. Immediately he asked the boy to take him to his mother.

The family was united, and Bharata grew up to become a great king.